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Directed by Don

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Short Ends Blog

Shot (mostly) on Kodak Vision Motion Picture film.

Reportage and notes from scenes of my life and on sets.

A short end is a partial roll of unexposed film stock left over during a motion picture production and kept for later use.


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  • 2026
    • Sep 20, 2026 And The Emmy Goes To:
    • Jul 17, 2026 Sometimes the Best Photo Is the One You Never Get to See
    • May 29, 2026 Make Your Own Luck
  • 2025
    • Dec 18, 2025 Not on the Call Sheet
    • Dec 12, 2025 Free is Happy
    • Nov 13, 2025 Shooting Blanks
    • Nov 4, 2025 Film with Film Friends
    • Oct 21, 2025 The Champ is Here
    • Oct 10, 2025 Stepping Out of Frame
    • Jul 17, 2025 Eddington in New Mexico with A24
    • May 18, 2025 Tahanan
  • 2024
    • Nov 25, 2024 Neg 25.
    • Sep 20, 2024 I'm Just a Ken
    • Jul 24, 2024 Extra, Extra
    • Jun 20, 2024 End of Beginning
    • Jun 3, 2024 Being a Fan
    • May 14, 2024 Restless in a Permanent Kind of Way

And The Emmy Goes To:

September 20, 2026

Back in May, I told a friend I’d move to LA on my birthday. I didn’t know how I was going to make that happen. It was just something I said out loud, hoping I’d eventually figure out the logistics.

Then, on my birthday, I moved to LA. New city. New job. Fourteen days later, I was at the Emmys wearing a tux for the first time.

A fairly good occasion to start, although Los Angeles could have turned the heat down a little. I’d imagined feeling like James Bond. Mostly, I was wondering whether everyone else was this sweaty and just better at hiding it.

Years ago, when I was at Prime Video, I worked on Manchester by the Sea and was invited to attend the Oscars with the marketing team. But there were things happening with my family, and being away didn’t feel right. I stayed home.

I still thought about that night over the years. I knew why I’d stayed, but I also knew how much I’d wanted to go.

So standing at the Emmys, barely two weeks after moving here, meant something. Back in May, I hadn’t even known how I’d get to LA. Now I was adjusting a bow tie and getting my camera ready on a red carpet.

Having a camera helped. It gave me something to do with my hands and a reason to look closely: a quick laugh, a breath between interviews, the little moments around the moment everyone came to see.

I was there to work, but I was also the person who’d said something hopeful to a friend back in May. I tried to give him a minute to take it in.

Then I went back to sweating.

Sometimes the Best Photo Is the One You Never Get to See →
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